... by players

Guitar Craft, the guitar circle

 Guitar Craft aimed at personal development, not only through guitar playing and music appreciation, but also through improved living. Students were offered instruction in practices such as relaxed sitting, T'ai chi ch'uan, and the Alexander Technique. These practices are valuable especially for guitarists, who practice for at least an hour daily and therefore benefit from a stable and comfortable posture. While relaxed sitting has been practiced in Hinduism and Buddhism, the GC practice of relaxed sitting is pursued without reference to any religious tradition. Participants are encouraged to think critically and particularly to feel free to decline any practice as they see fit.

 Crafty guitarists

Courses take place regularly in Latin America, North America, and Europe. By 2011, three thousand students had completed courses. Students who have completed a GC course and who continue GC practices are called "crafty guitarists" or "crafties". Notable crafties include Trey Gunn and the California Guitar Trio, who joined Fripp in forming the Robert Fripp String Quintet. GC-related Guitar Circles and other ensembles perform in Europe, the USA, Argentina, and Mexico.

 League of Crafty Guitarists

GC's official performance ensemble has been The League of Crafty Guitarists.Robert Fripp and the League of Crafty Guitarists has released several albums, via Discipline Global Mobile. The League of Crafty Guitarists has been directed by Hernán Nuñez since 2002; Nuñez, a long-time instructor of GC, is one of the developers of the Guitar Craft Pro Model, whose design has been influenced by that of the Ovation Legend] For organizational logos, Guitar Craft and the League of Crafty Guitarists use a knotwork design, which was inspired by the red knotwork design appearing on later covers of the Discipline album by King Crimson; both designs were made by Steve Ball.

 Alumni

Warr-guitarist Trey Gunn studied with Robert Fripp in Guitar Craft, before joining King Crimson.

The Guitar-Craft experience and the League of Crafty Guitarists trained guitarists who went on to form new bands, such as the California Guitar Trio and Trey Gunn; the California Guitar Trio and Gunn toured with Fripp as The Robert Fripp String Quintet.

Bill Rieflin, the drummer for R.E.M. following Bill Berry's retirement, developed "a musical style that beautifully balances mindfulness and force" through his long association with Guitar Craft; Reiflin stated that "I couldn't possibly describe in any detail the impact this has had in my life; I can say that it was and continues to be significant. Were I to say 'life-changing,' this would be true, but it wouldn't begin to communicate the depth of the experience.”

Other alumni of the League of Crafty Guitarists include members of Los Gauchos Alemanes, such as U.S. guitarist Steve Ball; Ball is associated with the Seattle Guitar Circle,[35] along with LCG alumnus Curt Golden. German crafty Markus Reuter went on to play Warr Guitar in Europa String Choir and centrozoon, subsequently designing his own touch guitar and playing in Stick Men and The Crimson ProjeKct in addition to a solo career. The collection A Plague of Crafty Guitarists features the following Guitar-Craft alumni, who were listed in a review by Barry Cleveland: Tobin Buttram, Nigel Gavin, Geary Street Quartet, Bill Hibbits, Janssen and Jensen, Sur Pacifico, Playmovil, and Santos Luminosos.

 Guitar Circle: successor of Guitar Craft

In February 2009, Fripp recommended that Guitar Craft cease to exist on its 25th anniversary in 2010. In March 2010, a 25th Anniversary Course marking the Completion of Guitar Craft was held. In practice, Guitar Craft continues with a focus on Guitar Circles and The Orchestra of Crafty Guitarists. Courses entitled "Introduction to Guitar Circle" continue to be held in the Americas and in Europe. The website of Guitar Craft contains links to related and successor organizations and associations. Guitar Craft inspired the founding of the Seattle Guitar Circle and the Seattle Circle Guitar School in 2010

 

“Compiling The History Of Guitar Craft, I see as part of the process necessary to carry the GC current through its Great Divide. Forms, vehicles and structures will be different on the other side, with their own names, originating from and through those who wish to find new ways of working with the GC current.”

 Robert Fripp

Some of the new forms, vehicles and structures are:

Applied Music / Contemporary Guitar Ensemble – http://www.cgeoficial.com  

Creating Music Together  – http://creatingmusictogether.org

Guitar Ensemble Of Europe – http://guitarensembleofeurope.com

Música En Movimiento – http://musicaenmovimiento.com

Ray Of Light – (website under constriction) / Orchestral Maneuvers – http://orchestralmaneuvers.com

Steve Ball – http://steveball.com



































Luigi Nono. Prometeo

Prometeo (Prometheus) is a 150-minute opera by Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word "opera" carries the generic Italian meaning of "work," as in work of art, and not its usual meaning. Indeed, Nono scornfully labels Prometeo a "tragedia dell'ascolto", a tragedy of listening. Objectively it can be considered a sequence of nine cantatas, the longest lasting 23 minutes. The Italian libretto, by Massimo Cacciari, selects from texts by such varied authors as Aeschylus, Walter Benjamin and Rainer Maria Rilke and presents the different versions of the myth of Prometheus without telling any version literally.

 At the premiere of the first version, at the Church of San Lorenzo in Venice on September 25, 1984, Claudio Abbado was the conductor, with the Chamber Orchestra of Europe, a choir from the Freiburg Conservatorium, and the following vocal soloists: Ingrid Ade, Monika Bair-Ivenz, Bernadette Manca di Nissa, Susanne Otto, and Mario Bolognesi. It is not clear whether a Conductor II was deployed. The revised and final Prometeo premiered at Teatro alla Scala in Milan on September 25, 1985. Nono banned all photography of the production in an attempt to stop what he called "artistic consumerism."

 Prometeo was presented as part of the Berliner Festspiele in September 2011 under Matilda Hofman (Conductor II) and Arturo Tamayo (Conductor I); Cyndia Sieden, Silke Evers, Susanne Otto, Noa Frenkel, and Hubert Mayer were the vocal soloists, with the Konzerthausorchester Berlin. Its American premiere took place at Argentina's Teatro Colón, in November 2013.













































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